No one could possibly understand women better than Degas. Not in the late 19th century anyway. Movement so wonderfully executed in every meticulous stroke. Degas knew the burden a woman carried. So much of her existence a performance, this predisposition to protect, and mostly, an overwhelming sense of herself - a quiet storm. I may be romanticizing his intentions. Maybe he loved horses more (worked on them with the same fervor). I just don't think it matters as I wasn't in his Parisian studio to witness the process - rubbing in the blue pastels... trying to lay still... not moving even a stroke.

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